Ramayana

Ramayana was originally written by a sage Valmiki in the Sanskrit language and later on it was translated into other languages in different versions. The main story of the Ramayana is about Lord Rama. In short the Ramayana is about Rama who was born in a royal family and was supposed to be the king, but because of his step- mother, he was forced to exile from his kingdom for fourteen years. During this period his consort Sita was kidnapped by a demon called Ravan, who was the king of Lanka. Rama with the help of his brother, Lakshman, and an army of monkeys under the leadership of Hanuman, rescued Sita.


But the Ramayana isn't only about Lord Rama and his attempt to rescue his consort Sita. Ramayana is also about devotion, loyalty, family roles and respect to elders. The Ramayana does not begin with the life of Rama, but actually with the people on earth who suffer from the demon named Ravan. Ravan is a cruel king who terrorizes the people of earth, especially the religious people and prevents them from performing religious rituals. But Ravan is also a great devotee of the three Gods who rule the universe, Brahma; the creator, Vishnu; the preserver and Shiva; the destroyer and therefore has their blessings and assurance that they as Gods will not hurt him. But the people of the earth, who suffer from Ravan, go up to heaven to visit the Gods and ask for their help. The Gods decide that Lord Vishnu will incarnate as a human being on earth and destroy Ravan. They find out that king of Kosala named Dasrath who has three wives is childless and longing for heir. So Lord Vishnu incarnates as his older son.

The king's first wife Kausalya gives birth to Rama. His second wife gives birth to Lakshman and Shatrugan and his third wife Kaykeyi gives birth to Bharat. The four brothers are sent for education in an ashram. They four brothers were very close to each other even though they were stepbrothers. They return to their kingdom after completing education.

Rama gets married to Sita. Sita is an adopted daughter of another king. In order to win her hand, the contestant had to bend a bow, which belonged to Lord Shiva. Many could not even lift this bow. When Rama arrived he did not only bend this bow but also broke it and so got Sita's hand.

King Dasrath intended to inherit his kingdom to his eldest son, Rama. But Bharat's nanny gets jealous and goes to Bharat's mother and begins to incite her about what might happen of her if Rama becomes the king. Incited, Bharat's mother goes to the king and demands from him the two boons he had promised her sometime earlier in life. She demands to send Rama to exile in the forest for fourteen years and make her son Bharat the heir of the kingdom. King Dasrath who is in great dilemma and pain, eventually bows to her demands.

Rama accepts his father's decision without any argument, but the other brothers including Bharat get furious. Lakshman decides to join his brother in exile and so giving an example of brotherly loyalty. Bharat inherits the throne but after his father's death goes to Rama and tries to convince him to return. Bharat tell Rama that because he is the eldest son of the king he is the rightful heir of the throne but Rama refuses and claims that father boons should be respected. Bharat agrees to remain the ruler of the kingdom until Rama's return from exile and as a symbol to prove that the throne belongs to Rama he takes Rama's slippers and puts them on the throne.

The forest in which Rama arrived with his wife Sita and his brother was full of demons. A female demon, Surpanakha fall in love with Rama and she tries to seduce him. Rama being a loyal husband refuses to her flirts, so she tries to kill Sita. At this point Lakshman takes his sword and cuts the demon's nose. She goes to her brother, Ravan, and tells him of the disgrace that happened to her. Ravan decides to avenge this humiliation by kidnapping Rama's wife Sita. He even notices that she is very beautiful and desires her.

Ravan plans ways to far away Rama and Lakshman from Sita so that he can kidnap her. One day Sita sees a very beautiful deer and desires it. She urges Rama to get it so Rama goes deep into the forest to get it. As time passes and Rama does not return, Sita starts to get worried. After some time she hears a cry which she thinks is Rama's cry so she begs Lakshman to find Rama. Lakshman aware of the fact that something bad might happen to Sita, refuses to leave Sita alone. But Sita compels Lakshman to find Rama. Lakshman agrees but draws a line in front of their hut and begs his sister- in- law not to pass this line because it might be dangerous and sets off to search Rama.

When it is quiet dark a sage comes to the hut begging for food. Sita hears the begging of the sage and brings some food for the sage and so passes the line Lakshman had marked. When she gets closer to the sage she finds out that the sage is actually Ravan in disguise. Ravan kidnaps Sita and takes her to his kingdom Lanka. And so this basic plot of the Gods to have Rama to fight with Ravan takes place. On his way to Lanka, Sita struggles with him a lot, A vulture, who resides near Rama's hut, hears her cries and fights with Ravan. Ravan injures that vulture seriously. When Rama and Lakshman return, the vulture who is dying tells them that Ravan kidnapped Sita. Rama and Lakshman decide to find out Sita.

Rama and Lakshman need an army to find and fight Ravan and they get this help from the monkeys. The king of monkeys who was exiled by his brother gets Rama's help to fight and slain his brother. After regaining his throne the monkey king assigns one of his commanders, Hanuman to serve Rama in his assignment to find Sita. After some time the monkeys come across another vulture who tells them that Ravan has kidnapped Sita and taken her to his island kingdom, Lanka.

Hanuman who is capable of flying gets to Lanka after fighting some dangers in the way. He finds Sita in the garden guarded by female demons, in a depressed mood. He proves to her that he is Rama's messenger and offers to carry her back. But to vindicate her honor she prefers that Rama himself should rescue her. Hanuman promises that Rama will come and rescue her.

Hanuman decides to check the capability of Ravan's security forces. He begins to destroy the garden, provoking the security guard and hurting them. Eventually he is captured and brought to Ravan. Hanuman tells Ravan that he is Rama's messenger and demands from him to free Sita or else he will die. Ravan gets furious and at first intended to kill Hanuman, but because Hanuman is a messenger he decides only to punish him by burning his tail. Hanuman flies back to Rama not before setting fire to Ravan's city with his burning tail and extinguishes his tail in the sea.

After Hanuman's return, Rama plans his way to reach Ravan's island. Rama and his advisers plan a land bridge to Lanka. The monkeys bring tree and rocks from the forests and build the land bridge to Lanka. After arriving in Lanka they send a peaceful messenger to Ravan, but Ravan refuses. So a war begins in which both sides lose many forces. Even Rama and Lakshman get hurt. The monkeys also began to get weak because Ravan's forces use biological weapons, which weaken their senses. So a medical expert in Rama's forces claims that to neutralize this a special herb is required which exists in a far away mountain, named Mahodaya.

Hanuman flies to that mountain and finds out that the mountain is full of different herbs, so he brings the whole mountain to Lanka. Slowly the forces get back to their senses.

Eventually after many battles Ravan faces Rama and after two continuos days of battles Rama kills Ravan and visits Sita. But the Ramayana does not end here. The fact that Sita lived in another man's palace causes some rumors about her chastity. She is obliged to take a fire test in which she sits in a fire but comes out unharmed and therefore is purified from charges.

In the original version of the Ramayana, after Rama and Sita return to Ayodhya, the capital of Kosala the rumors about Sita's adultery in Ravan's captivity continue and therefore the people disrespect her. So Rama, who is now the king, decides to banish Sita from his kingdom. In the forests she meets a sage named Valmiki, who later on wrote the Ramayana. In Valmiki's ashram Sita gives birth to two twins of Rama, Lav and Kush. These two children learn from Valmiki to sing the Ramayana as a poem and they go everywhere and start telling everyone the Ramayana, meaning Rama's story. They even arrive into Rama's court and tell him his story and so Rama recognizes his sons. He brings back his wife Sita who decides to prove her loyalty to Rama by asking Mother Earth to swallow her if she was loyal to Rama and so Mother Earth to testify her loyalty, opens up and swallows her and Sita disappears into earth. Later on Rama himself jumped in the river to end his life, followed by many.

The Religious form of Caste System

In Hinduism there exists four castes arranged in a hierarchy. Anyone who does not belong to one of these castes is an outcast. The religious word for caste is 'Varna'. Each Varna has certain duties and rights. Each Varna members have to work in certain occupation which only that Varna members are allowed. Each Varna has certain type of diet.

The highest Varna is of the Brahman. Members of this class are priests and the educated people of the society. The Varna after them in hierarchy is Kshatria.

The members of this class are the rulers and aristocrats of the society. After them are the Vaisia. Members of this class are the landlords and businessmen of the society. After them in hierarchy are the Sudra. Members of this class are the peasants and working class of the society who work in non-polluting jobs. The caste hierarchy ends here. Below these castes are the outcasts who are untouchable to the four castes. These untouchables worked in degrading jobs like cleaning, sewage etc.

The first three castes had social and economical rights which the Sudra and the untouchables did not have. The first three castes are also seen as 'twice born'. The intention in these two births is to the natural birth and to the ceremonial entrance to the society at a much later age.

Each Varna and also the untouchables are divided into many communities. These communities are called Jat or Jati (The caste is also used instead of Jat). For example the Brahmans have Jats called Gaur, Kokanastha, Sarasvat, Iyer and others. The outcasts have Jats like Mahar, Dhed, Mala, Madiga and others. The Sudra is the largest Varna and it has the largest number of communities. Each Jat is limited to professions worthy of their Varna. Each Jat is limited to the Varna diet. Each Jat members are allowed to marry only with their Jat members. People are born into their Jat and it cannot be changed.

This is the how the caste system is supposed to be in its religious form. But in reality it is much more complicated and different from its religious form.

Great monuments and Forts

Of all the Indian monuments, forts and palaces are most fascinating. Most of the Indian forts were built as a defense mechanism to keep the enemy away. The state of Rajasthan is home to numerous forts and palaces. Karnataka and Madhya Pradesh are also not far behind. In fact, whole India is dotted with forts of varied sizes. The magnificent forts and palaces of Rajasthan were built during the medieval period. The notable feature about each of the forts and palaces is the exquisite carving work that has survived till date and still receives appreciation from people worldwide.



These magnificent forts can not be described in words as they will look too small in front of splendor of forts that beautify India. Some prominent forts of Rajasthan are Amber fort, Chittorgarh fort, Jaisalmer fort, Lohagarh fort, Bikaner fort and Jaigarh fort. Delhi, the capital of India also boasts of some great forts. Some of the notable forts of Delhi are the Red fort, Purana Quila and the Tughlaqabad fort. These grand forts clearly depict the glory of Indian majestic past. There are many other forts of importance in India. Some of the most notable are the Red fort, Agra, the Gwalior fort and the Junagarh fort.

Agra Fort
The majestic Agra fort was built by the great Mughal emperor, Akbar in 1565-75. The Agra fort contains numerous impressive structures like the Jahangir Mahal, Khas Mahal, Diwan-i-Khass, Diwan-i-Am, Machchhi Bhawan and Moti Masjid. The Agra fort is enclosed by a double battlemented massive wall of red sandstone.


Amber Fort
The Amber fort is set in a picturesque location a little away from Jaipur, the capital of Rajasthan state. The Amber Fort presents a fascinating blend of Hindu and Muslim architecture. Raja Man Singh built the Amber fort in the sixteenth century (the construction of the Amber Fort was started in 1592).




Chittorgarh Fort
In the pages of history Chittorgarh holds a proud place and regarded as the symbol of Rajput chivalry, resistance and bravery. The Chittorgarh fort is situated 175 km to the east of Udaipur and is named after Chitrangad Maurya. Chittorgarh covers an area seven mile covering 700 acres of land with its fortifications, palaces, temples and towers.

Delhi Fort
The Red fort (Lal Qila) at Delhi was built by Shah Jahan on the banks of river Yamuna. The Red fort at Delhi is one of the massive forts in India and is a witness to the heyday of the Mughal Empire. Shah Jahan built the Red fort as the citadel of Shahjahanabad, his new capital at Delhi.

Gwalior Fort
The Gwalior fort spreads out over an area of 3 square km, surrounded by concrete walls of sandstone. The Gwalior fort encloses three temples, six palaces and numerous water tanks. At a point of time Gwalior fort was regarded as North and Central India's most invincible fortress.

Jaigarh Fort
The magnificent Jaigarh fort is located near Jaipur. Jaigarh fort or the fort of victory was constructed by Sawai Jai Singh of Jaipur in 1726. The Fort stands in the middle of thorn and scrub hills, which impart it a stout look. The Jaigarh fort gives an amazing view of the city below.

Jaisalmer Fort
One of the oldest and massive forts of Rajasthan, Jaisalmer fort is located in the remote Thar Desert. In the medieval times, the location of Jaisalmer on the trade route made it a prosperous town. Jaisalmer came to be celebrated for the chivalry and bravery of its rulers and also for the aesthetic sense represented by its palaces and Havelis.

Junagarh Fort
Located in Bikaner, the Junagarh fort is one of the most impressive fort complexes in India. Junagarh fort was built by Raja Rai Singh in 1588 AD. Junagarh fort is one of those few forts that are not built on a hilltop. The fort complex consists of palaces, courtyards, pavilions and balconies.

Lohagarh Fort
Lohagarh fort or the Iron fort was built in the early 18th century by the Jat ruler, Maharaja Suraj Mal. The Lohagarh fort is a living testimony to the chivalry and bravery of the Jat rulers of Bharatpur. Due to its impregnable defenses the fort came to be known by name of Lohagarh.

Purana Quila
The Purana Quila or the old fort was constructed by Humayun and Sher Shah. The old fort complex covers an area of about a mile. The walls of Purana Quila have three gates (the Humayun Darwaza, Talaqi Darwaza and Bara Darwaza) and are surrounded by a moat, which was fed by river Yamuna.

Tughlaqabad Fort
In a state of total ruin, the Tughlaqabad fort was once a symbolic of the might of the Tughlaq dynasty. The Tughlaqabad fort was built by Ghiyas-ud-din Tughlaq, the founder of the Tughlaq dynasty. The fort is spread over an extensive area and a piece of architectural marvel.

Golconda Fort
A majestic fortress on the outskirts of Hyderabad, Golconda Fort is one of the grandest forts of India. Built around 12th and 16th Century by various Qutub Shahi rulers, this fort has a rich history that is almost 400 years old. It is definitely a place worth visiting in case you are traveling to the south of India.

Srirangapatna Fort
One of the prime attractions in Mysore, Karnataka is the famous Srirangapatnam fort. Built in the year 1537 by a feudal lord, this magnificent fort is considered to be the second toughest fort of India. The Srirangapatna Fort has four main entrances known by the names of Delhi, Bangalore, Mysore and Water and Elephant gates.

Sculptures

The Gupta Period

Buddhist art flourished during this period, which has often been described as a golden age. A famous rock-cut monastery at Ajanta consists of several chaitya halls and numerous residential viharas. Both facades and interiors contain elegant relief sculpture, while interiors are covered with painted murals that feature superb figures drawn with a gracefully sinuous line. As in all periods, there is little difference in the images of the major Indian religions, Buddhist, Hindu, and Jain. Large stone figures, stone and terra-cotta reliefs, and large and small bronzes are made in the refined Gupta style; the level of production is uniformly high. After the 7th cent., although the rulers of the Pala and Sena dynasties (730–1197) were Hindu, significant Buddhist art was created. Images in bronze and in hard black stone from Nalanda and elsewhere reveal a development of the Gupta manner, with extensive attention to ornamental details.


Indo Islamic Architecture
The medieval period saw great developments in the field of architecture. With the coming of Muslims to India, many new features came to be introduced in buildings. The development of Muslim Style of Architecture of this period can be called the Indo-Islamic Architecture or the Indian Architecture influenced by Islamic Art. The Indo-Islamic style was neither strictly Islamic nor strictly Hindu.

Ancient Architecture
Indian architecture is as old as the history of the civilization. The earliest remains of recognizable building activity in the India dates back to the Indus Valley cities. Among India's ancient architectural remains, the most characteristic are the temples, Chaityas, Viharas, Stupas and other religious structures.

Cave Architecture
The cave architecture in India is believed to have begun in the third century BC. These caves were used by Buddhist and Jain monks as places of worship and residence. I

nitially the caves were excavated in the western India. Some examples of this type of cave structure are Chaityas and Viharas of Buddhists.

Rock Cut
The Rock-cut structures present the most spectacular piece of ancient Indian art specimen. Most of the rock-cut structures were related to various religious communities. In the beginning, remarkable Buddhist and Jain monuments were produced in areas such as Bihar in the east and Maharashtra in the west.

Temple Architecture
In ancient India, temple architecture of high standard developed in almost all regions. The distinct architectural style of temple construction in different parts was a result of geographical, climatic, ethnic, racial, historical and linguistic diversities. Ancient Indian temples are classified in three broad types. This classification is based on different architectural styles, employed in the construction of the temples.

Indian Architecture

Indian Architecture

One of the most enduring achievements of Indian civilization is undoubtedly its architecture. Indian architecture, which has evolved through centuries, is the result of socio-economic and geographical conditions. Different types of Indian architectural styles include a mass of expressions over space and time, transformed by the forces of history considered unique to India. As a result of vast diversities, a vast range of architectural specimens have evolved, retaining a certain amount of continuity across history.

Indian architecture is that vast tapestry of production of the Indian Subcontinent that encompasses a multitude of expressions over space and time, transformed by the forces of history considered unique to the sub-continent, sometimes destroying, but most of the time absorbing.

Indian architecture, belonging to different periods of history, bears the stamp of respective periods. Though the cities of Indus Valley provide substantial evidence of extensive town planning, the beginnings of Indian architecture can be traced back to the advent of Buddhism in India. It was in this period that a large number of magnificent buildings came up. Some of the highlights of Buddhist art and architecture are the Great Stupa at Sanchi and the rock-cut caves at Ajanta.

With the establishment of Hindu kingdoms in South India, the south Indian school of architecture began to flourish. The most notable achievements of the Pallava rulers were the rock-cut temples of Mahabalipuram and the temples of Kanchipuram. The Chola, Hoyasala and Vijayanagar rulers also did remarkable job in the field of architecture. The temples at Thanjavur, Belur and Halebid bear testimony to the architectural excellence of the South Indian rulers.

In north India, there developed a new a different style of architecture. This was called as the Nagara style architecture. In central India, the Chandela rulers built a magnificent temple complex at Khajuraho. With the coming of the Muslim rulers, there developed a new architectural style in India- the Indo-Islamic architecture. The Indo-Islamic style was neither strictly Islamic nor strictly Hindu. The architecture of the medieval period can be divided into two main categories. They are the Delhi or the Imperial Style and the Mughal Architecture.

It was followed by a new style of architecture that developed as a result of colonization of India. This style of architecture came to be called as Indo-Saracenic. The Indo-Saracenic architecture combined the features of Hindu, Islamic and western elements. The colonial architecture exhibited itself through institutional, civic and utilitarian buildings such as post offices, railway stations, rest houses and government buildings.




Indian art and architecture, works of art and architecture produced on the Indian subcontinent, which is now divided among India, Pakistan, and Bangladesh. In the Western world, notable collections of Indian art can be seen in the British Museum, in the Victoria and Albert Museum, and in the Museum of Fine Arts, Boston.

Introduction

Although a great deal of Indian secular art was produced, it was essentially made of perishable material and has not survived. What has survived in the medium of stone is religious art. In both Buddhist and Hindu art, symbolism in gesture, posture, and attribute contains many levels of meaning. In images of the Buddha, different hand positions (mudras) signify religious states, such as the Enlightenment (Nirvana), Meditation, and Preaching. In Hindu sculpture, deities (see Vishnu, Krishna, and Shiva) are frequently represented with many hands to indicate their power to perform multiple deeds at the same time, and the hands each carry their characteristic attributes. With the exception of Mughal art and architecture, which demands separate treatment, the major trends in Indian art–Hindu, Buddhist, and Jain–are discussed within this article.

Indus Valley Civilization

The earliest Indian art emerged from the valley of the Indus River during the second half of the 3d millennium BC The best-known sites are Harappa, destroyed in the 19th cent., and Mohenjo-Daro; these are among the earliest examples of civic planning. Houses, markets, storage facilities, offices, and public baths were arranged in a gridlike scheme. There was also a highly developed drainage system.

The Indus civilization produced many statuettes made of steatite and limestone. Some statuettes resemble the hieratic style of contemporary Mesopotamia, while others are done in the smooth, sinuous style that is the prototype of later Indian sculpture, in which the plastic modeling reveals the animating breath of life (prana). Also found in this region are square steatite seals adorned with a range of animals, including naturalistically rendered bulls; ceramic storage jars with simple, stylized designs; toys with wheels; and figurines, which may be mother goddesses. Bronze weapons, tools, and sculptures indicate a sophistication in craftsmanship rather than a major aesthetic development.

Post-Indus Civilization through the Maurya Dynasty

Of the period from the end of the Indus civilization (c.1500 BC) until Alexander the Great crossed (325 BC) the Indus, few traces remain. However, the principles of Indian architecture were developed in wooden buildings, long since disintegrated.

From the great Maurya dynasty the most famous remains are the edict pillars, erected throughout N India by the Emperor Asoka to proclaim his devotion to Buddhism. The monolithic, smooth columns are over 50 ft (15 m) high and are surmounted by lotus capitals and animal figures. Some of the pillar capitals reveal forms that suggest Persepolitan influences. Also dating from the reign of Asoka is the earliest stone ogival chaitya window, found on the portal of a small rock-cut sanctuary near Bodh Gaya. The chaitya halls were monastic sanctuaries hewn out of rock. As they evolved, from the 3d cent. BC through the 1st millennium AD, they became elaborate colonnaded halls, or walls embellished with painting or sculpture.

Sunga and Andhra Dynasties

The earliest extant stupas date from the Sunga dynasty (2d–1st cent. BC) and early Andhra dynasty (1st cent. BC). These relic mounds are surrounded by railings and gateways covered with carved ornament. One of the main stupas is at Bharhut, where the sculpture is archaic in character. Relief medallions of the Buddha's life or of the jatakas (tales of his previous lives) are shallow cut, with all the incidents of each story arranged within a single composition. The bodies of semidivine beings including yakshis (female tree spirits) are flattened against the pillar of which they form part; prana is still emphasized.

The important stupa at Sanchi shows a similar style. Important carvings on the gateways of another stupa at Sanchi date from the early Andhra period. The yakshis have acquired full, graceful forms, and high-relief compositions are frequently conceived in a continuous method of narration. The carved railing from Bodh Gaya, the place of the Buddha's enlightenment, and the earliest surviving wall paintings are also early Andhra; paintings in the rock-cut cave at Ajanta narrate the Buddha's birth as an elephant and the entire synopsis of historic life. In the far south, in the Deccan, the later Andhra dynasty continued to flourish into the 1st cent. AD Its greatest monument is the carving at the Great Stupa at Amaravati, c.AD 200. The complex but coherent composition, the chiaroscuro, and the liveliness of the crowded surfaces distinguish these bas-reliefs.

Gandhara and Mathura

Under the Kushans, conquerors from central Asia, two of India's most important styles were developed between the 2d and 5th cent. AD: Gandhara art and art of Mathura. Gandhara art, named after the region of Gandhara now in Pakistan, presents some of the earliest images of the Buddha. Earlier at Bharhut and Sanchi, the Buddha's presence was represented by symbols, such as the pipal tree, the wheel of life, footprints, and an empty throne. The Gandhara style was profoundly influenced by 2d-century Hellenistic art and was itself highly influential in central and eastern Asia. Ivories and imported glass and lacquerware attest to the cosmopolitan tastes and extensive trade that characterized the period. Stupas and monasteries were adorned with relief friezes, often carved in dark schist, showing figures in classical poses with flowing Hellenistic draperies.

Farther east and south, contemporary Mathura, also under Kushan rule, created a wholly Indian sculptural art. Reddish limestone was the usual medium. More sensuous, heavier Buddhas whose limbs are created according to canonical instructions, smile directly at their worshipers. Reliefs of the yakshis carved against railing pillars are more frankly sensual and erotic than those at Sanchi. Buddhist iconography was developed in Gandhara. Mathura, however, preserved and developed Indian forms for three centuries.