The Religious form of Caste System

In Hinduism there exists four castes arranged in a hierarchy. Anyone who does not belong to one of these castes is an outcast. The religious word for caste is 'Varna'. Each Varna has certain duties and rights. Each Varna members have to work in certain occupation which only that Varna members are allowed. Each Varna has certain type of diet.

The highest Varna is of the Brahman. Members of this class are priests and the educated people of the society. The Varna after them in hierarchy is Kshatria.

The members of this class are the rulers and aristocrats of the society. After them are the Vaisia. Members of this class are the landlords and businessmen of the society. After them in hierarchy are the Sudra. Members of this class are the peasants and working class of the society who work in non-polluting jobs. The caste hierarchy ends here. Below these castes are the outcasts who are untouchable to the four castes. These untouchables worked in degrading jobs like cleaning, sewage etc.

The first three castes had social and economical rights which the Sudra and the untouchables did not have. The first three castes are also seen as 'twice born'. The intention in these two births is to the natural birth and to the ceremonial entrance to the society at a much later age.

Each Varna and also the untouchables are divided into many communities. These communities are called Jat or Jati (The caste is also used instead of Jat). For example the Brahmans have Jats called Gaur, Kokanastha, Sarasvat, Iyer and others. The outcasts have Jats like Mahar, Dhed, Mala, Madiga and others. The Sudra is the largest Varna and it has the largest number of communities. Each Jat is limited to professions worthy of their Varna. Each Jat is limited to the Varna diet. Each Jat members are allowed to marry only with their Jat members. People are born into their Jat and it cannot be changed.

This is the how the caste system is supposed to be in its religious form. But in reality it is much more complicated and different from its religious form.

Hinduism

Hinduism is a religion with various gods and goddesses. According to Hinduism, three Lords rule the world. Brahma: the creator; Vishnu: the preserver and Shiva: the destroyer. Lord Vishnu did his job of preserving the world by incarnating himself in different forms at times of crisis.


The three Lords that rule the world have consorts and they are goddesses. Consort of Brahma is Sarasvati; goddess of learning. Vishnu's consort is Lakshmi; goddess of wealth and prosperity. Shiva's consort is Parvati who is worshipped as Kali or Durga.
Along them there are a number of other gods and goddesses. To name a few of them, there is Ganesh, who has an elephant's head and he is also a son of Shiva and Parvati. Hanuman, who is an ape. Surya, Lord of sun. Ganga Ma, goddess of river Ganges. Samundra, Lord of the sea. Indra, king of the gods ( but he isn't an important god). Prithvi, goddess of earth. Shakti, goddess of power. The Hindus call their goddesses 'Ma' meaning mother.

Some gods have more than one name. Shiva is also known as Shankar, Mahadev, Natraj, Mahesh and many other names. Ganesh is also called Ganpati. God Vishnu incarnated 9 times to do his job and in his every appearance he had a different form which are also worshipped as gods. Among his appearances, he appeared as Rama, Krishna, Narsimha, Parsuram and Buddha. Krishna also has different names, Gopal; Kishan; Shyam and other names. He also has other titles with meanings like 'Basuri Wala' which means the flute musician and 'Makhan Chor' which means the butter stealer. There are also gods who can change their forms, for example: Parvati can change into Kali or Durga.

Not all of these gods are worshiped by all Hindus. Some Hindus worship only Vishnu. Others worship only Shiva. Others worship only the goddesses and call these goddesses collectively as Shakti meaning power. Many of these goddess worshipers worship Parvati in her images as Kali or Durga. People who worship Shiva or Vishnu also worship characters and images connected with these gods. Vishnu worshipers (Vaishnaites) also worship his appearances. Shiva's worshipers (Shaivites) also worship images of bull called Nandi, who was Shiva's carrier and a unique stone design connected to Shiva. There are also Hindus who worship all the gods. There are some gods who are worshiped all over India like Rama and Krishna and other gods who are worshiped more in one region than the other like Ganesh who is worshiped mainly in west India. Hindus also worship gods according to their personal needs. People who engage in wrestling, body building and other physical sports worship Hanuman, who in Hindu legends was an ape with lot of physical strength. Businessmen worship Lakshmi, goddess of wealth.

Though Hindus worship different idols, many Hindus believe in one God and perceive in these different gods and goddesses as different faces of the same one God. Others believe that idolatry is the wrong interpretation of Hinduism.


Hindus believe in reincarnation. The basic belief is that a person's fate is determined according to his deeds. These deeds in Hinduism are called 'Karma'. A soul who does good Karma in this life will be awarded with a better life in the next incarnation. Souls who do bad Karma will be punished for their sins, if not in this incarnation then in the next incarnation and will continue to be born in this world again and again. The good souls will be liberated from the circle of rebirth and get redemption which is called 'Moksha' meaning freedom. Hindus normally cremate their dead ones, so that the soul of the dead would go to heaven, except in a few cases of Hindu saints, who are believed to have attained 'Moksha'.

The main Hindu books are the four Vedas. They are Rig Veda, Sama Veda, Yajur Veda and Atharva Veda. The concluding portions of the Vedas are called Upanisads. There are also other holy books like Puranas, Ramayana, Mahabharta etc. The different gods and goddesses in the Hindu mythology are derived from these books. Ramayana and Mahabharta are the most popular Hindu books.

The main story of Ramayana is the story of Lord Rama. Rama was born in a royal family and was suppose to be the king, but because of his step- mother, he was forced to exile from his kingdom for fourteen years. During this period his consort Sita was kidnapped by a demon called Ravan, who was king of Lanka. Rama with the help of his brother, Lakshman, and an army of monkeys under the leadership of
Hanuman, rescued Sita. Many Indians believe that the present day Sri Lanka was then the kingdom of Lanka.

Mahabharta is a family epic. In this epic the Pandva family and the Kaurav family who are cousins fight with each other for the control over a kingdom. Kaurav family, which consisted of 100 brothers rule an empire. The five Pandva brothers ask for a small kingdom which belongs to them. The Kauravs refuse to give the Pandvas the kingdom so there is a war between the Pandvas and the Kauravs in which it is believed that all the kingdoms of that period in India took part. In this war the Pandvas, with the help of Lord Krishna win the war. Before the commencement of the war, while the two armies are facing each other, one of the Pandva brothers Arjun gets depressed. Arjun is depressed because he has to fight against people whom he knows, loves and respects. At this point Krishna, (who was also a king of a kingdom, and participated in this war only as the chariot driver for Arjun) convinces Arjun to fight. Krishna lectures Arjun about life, human beings and their religious duties. He explains to Arjun that he belongs to a warrior caste and he has to fight for that's his destination in this incarnation. Those chapters in the Mahabharta which are Krishna's discourses on religious philosophy are called Bhagvad Gita. Because of it's importance the Bhagvad Gita is considered as a separate holy book. Another Hindu holy book that deals with religious duties is 'Law of Manu' or the 'Dharma Shastra'.

In the wars that occur in the holy books, as in Mahabharta, the different sides had different war weapons which had characters similar to modern day war weapons. In some stories the traveling vehicles were normally birds and animals. But these animals and birds had features similar to modern day aircrafts. There were even aircrafts with over velocity of light. The main war weapons were bows and arrows. But these arrows were more like modern missiles than simple arrows. These arrows were capable of carrying bombs with destructive power similar to modern day chemical, biological or even atom bombs. Other arrows could be targeted on specific human beings. There were even arrows capable of neutralizing other arrows, similar to modern day anti-missiles.

Hindus have many holy places. Badrinath, Puri, Dwarkha and Rameshwaram are four holiest places for the Hindus. Other holy places are Varanasi, Rishikesh, Nasik, Pushkar, Ujjain and other places. Some rivers are also holy to them. Among them are Godavri, Yamuna and above all Ganges which the Indians call Ganga. Another holy river is Sarasvati and it is invisible. Hindus also worship and respect some animals and birds like cobra, apes, peacocks and cow. Hindus also respect some trees and bush trees. The famous and the most respected bush tree is Tulsi.

Some of the Hindu customs, which exist or existed, do not have their bearing in Hindu scriptures but became part of Hinduism in different ways and fashion. For example, the Hindus see in cow a sacred animal. Religiously there is no reason to see cow as sacred and it is believed that cows were made 'sacred' to prevent their slaughter during periods of droughts and hunger. Cobra worship also is not found in Hindu scripts. This custom became part of Hinduism when some Indian tribes who use to worship cobra adopted Hinduism. Burning of the widow on the dead husband's pyre also has no religious justification. This custom, outlawed in 1829, was probably brought to India by the Scythians invaders of India. Among the Scythians it was a custom to bury the dead king with his mistresses or wives, servants and other things so that they could continue to serve him in the next world. When these Scythians arrived in India, they adopted the Indian system of funeral, which was cremating the dead. And so instead of burying their kings and his servers they started cremating their dead with his surviving lovers. The Scythians were warrior tribes and they were given a status of warrior castes in Hindu religious hierarchy.

The different castes who claimed warrior status or higher also adopted this custom.
There are four castes in Hindu religion arranged in a hierarchy. The highest caste is Brahman, and they are the priest caste of Hinduism. After them are the Kshatria, who are the warrior castes. After them are the Vaishya caste , who are business people. And after them are the Sudra, who are the common peasants and workers. Below these four castes there are casteless, the untouchables. The four castes were not allowed to have any physical contact with the untouchables.

Each caste is divided into many sub-castes. The religious word for caste is Varna and for sub-caste Jat or Jati. But sometimes in English the term caste is used in both cases. Religiously, people are born in a caste and it cannot be changed. Each caste has some compulsory duties, which its members must do. Each caste has professional limits which decides what profession each caste can follow. Each caste members can have social relations only with its caste members. Religiously this includes marraige and even eating only with caste members. Please note that socially the caste system is different from the religious form of caste system.

How did Hinduism originated is a difficult question. The accepted theory is that Hinduism was evolved after the historical meeting between the Aryans and Dravidians. Some claim that Hinduism is mainly an Aryan culture whereas the others claim that it is mainly a Dravidian culture. Religiously the Vedas were given by Brahma.

Before Hinduism there existed another religion in India called Brahmanism and its followers were called Brahmans. The Brahmans were the spiritual and moral guides of the Indian society. The members of this religion were a close sect and others could not join it. The

Brahmans slowly started accepting others into their religion and so was created Hinduism which included in it the customs which were not part of the Vedas. One of the reasons the Brahmans accepted others to their religion was the fear to loose their status as moral guides to priests of a new religion that started in India, namely Buddhism. The Brahmans even accepted Buddha as an incarnation of Lord Vishnu and part of his teachings and philosophy like non-violence into their religion.

Sculptures

The Gupta Period

Buddhist art flourished during this period, which has often been described as a golden age. A famous rock-cut monastery at Ajanta consists of several chaitya halls and numerous residential viharas. Both facades and interiors contain elegant relief sculpture, while interiors are covered with painted murals that feature superb figures drawn with a gracefully sinuous line. As in all periods, there is little difference in the images of the major Indian religions, Buddhist, Hindu, and Jain. Large stone figures, stone and terra-cotta reliefs, and large and small bronzes are made in the refined Gupta style; the level of production is uniformly high. After the 7th cent., although the rulers of the Pala and Sena dynasties (730–1197) were Hindu, significant Buddhist art was created. Images in bronze and in hard black stone from Nalanda and elsewhere reveal a development of the Gupta manner, with extensive attention to ornamental details.


Indo Islamic Architecture
The medieval period saw great developments in the field of architecture. With the coming of Muslims to India, many new features came to be introduced in buildings. The development of Muslim Style of Architecture of this period can be called the Indo-Islamic Architecture or the Indian Architecture influenced by Islamic Art. The Indo-Islamic style was neither strictly Islamic nor strictly Hindu.

Ancient Architecture
Indian architecture is as old as the history of the civilization. The earliest remains of recognizable building activity in the India dates back to the Indus Valley cities. Among India's ancient architectural remains, the most characteristic are the temples, Chaityas, Viharas, Stupas and other religious structures.

Cave Architecture
The cave architecture in India is believed to have begun in the third century BC. These caves were used by Buddhist and Jain monks as places of worship and residence. I

nitially the caves were excavated in the western India. Some examples of this type of cave structure are Chaityas and Viharas of Buddhists.

Rock Cut
The Rock-cut structures present the most spectacular piece of ancient Indian art specimen. Most of the rock-cut structures were related to various religious communities. In the beginning, remarkable Buddhist and Jain monuments were produced in areas such as Bihar in the east and Maharashtra in the west.

Temple Architecture
In ancient India, temple architecture of high standard developed in almost all regions. The distinct architectural style of temple construction in different parts was a result of geographical, climatic, ethnic, racial, historical and linguistic diversities. Ancient Indian temples are classified in three broad types. This classification is based on different architectural styles, employed in the construction of the temples.

Architecture and Sculpture of the Hindu Dynasties

From the 6th cent. on, with the resurgence of Hindu dynasties throughout India, a characteristic temple plan was developed. An entrance portico led to a pillared hall (mandapa) into the cella. The shrine was often crowned by a large tower known as the shikhara. In S India the Dravida tower rose in a series of terraces, each symbolizing a different divinity; in the north, nagara spires ascended in a massive conical shape.

Innumerable temples were built that were so exuberantly embellished with sculpture that their style is called "sculptural architecture." The Khajuraho temples in central India (c.1000) represent one of the high points of the nagara buildings, and the damaged Temple of the Sun at Konarak (c.1250) reveals, in its famous erotic sculptures, carvings that combine balanced mass with delicate execution. The Jain temples at Mt. Abu, constructed entirely of imported white marble and dating from the 10th and 13th cent., have plain exteriors but are ornately carved inside.

In S India the 7th-century Pallava dynasty introduced the dravida style temple in a number of pyramidal raths (temples) at Mahabalipuram; an enormous cliff-face at the site is carved with a life-size representation of gods, men, and beasts, including the elephant family. The dravida style plan was used also in the 8th cent. in the quarried temple at Ellora. The Chola dynasty of S India further developed this form in the 11th cent., when they probably also cast most of large numbers of S Indian bronzes, of which the Nataraja (dancing Shiva) images are perhaps the best known.




The dravida style culminated in a series of expanded "temple townships," of which the largest is Srirangam, consisting of seven concentric enclosures. These ended in the comparatively crude stucco sculptured architecture of 17th-century Mandura. Medieval bronze sculpture was highly developed in S India. The chief subjects were the deities, figures of whom were used for processional and home ritual. Skilled cire-perdue sculptures were produced until the late 19th cent. in many regions of India.

Indian Painting

Adverse climate and other conditions have injured what wall painting existed. The most famous surviving Buddhist paintings are from the caves at Ajanta. Little is known of Hindu wall painting except for fragments at Ellora and Tanjore (see Thanjavur). The earliest Indian manuscript paintings are Buddhist, of the Pala dynasty; they have a delicate color. The 13th- to 15th-century Jain manuscript illuminations, painted in vivid red, blue, and gold, are most easily recognized by the characteristic protruding farther eye. Rajput miniature painting, which was practiced in N India from the 16th through the 19th cent., is related both to Mughal painting and to earlier Indian styles. It illustrates a variety of Hindu subjects: the ragamala series (musical modes), the legendary epics and romances, and particularly Krishna's deeds. Rajput painting is characterized by lyrical landscapes, sinuous grace in the depiction of the human form, and an interest in perspective.

The Modern Era

Little of the glorious tradition of Indian artistic achievement survived British rule. Indian artists adapted Western techniques and produced gouache paintings to suit the tastes of European buyers. Patua scrolls, containing swiftly executed watercolor illustrations of many subjects, became one source for the revival of Indian themes during the 20th cent. A growing nationalist sentiment pervaded Indian art in the early decades of the 20th cent. along with the conscious assimilation of Western styles. Major modern artists include Abanindranath Tagore, Nandalal Bose, Jamini Roy, Amrita Sher Gil, N. S. Bendre, M. B. Samant, Francis Souza, Bhagwan Kapoor, M. F. Husain, Bhupen Khakhar, Ram Kinker, Dhanraj Bhagat, Amar Nath Seghal, Chintamoni Kar, and Amina Ahmad.


Like all other aspects, colonization of Indian also had an impact on architecture style. With colonization, a new chapter in Indian architecture began. The Dutch, Portuguese and the French made their presence felt through their buildings but it was the English who had a lasting impact on architecture.

Vedic Age in INDIA

Duration: 1500 BC to 500 BC

The Vedic Period or the Vedic Age refers to that time period when the Vedic Sanskrit texts were composed in India. The society that emerged during that time is known as the Vedic Period, or the Vedic Age, Civilization.

The Vedic Civilization flourished between the 1500 BC and 500 BC on the Indo-Gangetic Plains of the Indian subcontinent. This civilization laid down the foundation of Hinduism as well as the associated Indian culture. The Vedic Age was followed by the golden age of Hinduism and classical Sanskrit literature, the Maurya Empire and the Middle Kingdoms of India.

The Vedic period (or Vedic age) (ca.1750–500 BCE) was the period in Indian history during which the Vedas, the oldest scriptures of Hinduism, were composed.  During the early part of the Vedic period, the Indo-Aryans settled into northern India, bringing with them their specific religious traditions.

The Rig Veda is hard to translate accurately, because it is the oldest Indo-Aryan text, composed in the archaic Vedic Sanskrit. There are no closely contemporary extant texts, which makes it difficult to interpret.

Early Vedic Age: The Vedic age began in India in about 1500 BC and extend upto 6000 BCE with the coming of the Aryans, who scattered on the plains of northern India. Max Muller believes it an anomaly to regard the race as Aryan because scientifically Aryan connotes nothing but language. The relationship between the race and language of these people with the classical languages of Europe was established by a Bavarian Franz Bopp in 1816.

Aryans developed Vedic culture based on Vedas. The meaning of the word Veda is "knowledge", the best of all knowledge in the eyes of Hindus. It is a collection of hymns, prayers, charms, litanies and sacrificial formulae. There are four Vedas, namely, Rig Veda, Sam Veda, Yajur Veda and Atharva Veda.


Vedic Civilisation
Origin of Indian Music - Samveda
Mention of Word 'Shudra' - Rigveda 10th Mandala
Gayatri Mantra - Rigveda
Mention of word 'Yajna' - Brahmana
Somaras (drink) - Rigveda (9th Mandala)
Varna - Rigveda
Four fold division of Society - Rigveda 10th Mandala
Mention of four Ashrams - Jabala Upanishada
War between Aryan & Dasas - Rigveda
Transmigration of Soul - Brahadaranyka Upanishada
Five divisions of India - Aiteraya Brahamana
Wife and Husband are complementary - Satapathabrahmana
Battle of Ten kings - Rigveda (7th Mandala)
Superiority of Brahmins - Aiteraya Brahmana
Rajanaya - Rigveda 10th Mandala
Marut as Agriculturist - Satpatha Brahmana
Satyameva Jayate - Mundaka upanishada
Pashupath Shiva - Atharveda
Vishnu - Satapatha Brahmana

Conversion between Yam & Nachiketa - Katha Upanishada

Vedic Texts
Linguistically, the texts belonging to the Hindu Vedic Civilisation can be classified into the following five chronological branches:

Rigvedic

The oldest text of the Vedic Period, Rig Veda has many elements that are common with the Indo-Iranian texts, both in language and in content. One cannot find such similarity in any other Vedic text. It is believed that the compilation of the Rig Veda had stretched over a number of centuries. However, there is a conflict as to the completion date of the Rig Veda. Some historians believe it to be 1500 BC, while the others believe it to be 3000 BC. This time period coincided with the Indus Valley Civilization.

Mantra Language

The period of the Mantra Language includes the time of the compilation of the mantra and prose language of the Atharvaveda (Paippalada and Shaunakiya), the Rigveda Khilani, the Samaveda Samhita and the mantras of the Yajurveda. Though derived from the Rig Veda, all these texts experienced wide scale changes, in terms of language as well as at the time of reinterpretation. This time period coincided with the early Iron Age in northwestern India and the Black and Red Ware culture.

Samhita Prose

The period of Samhita Prose represents the compilation and codification of a Vedic canon. The linguistic changes of this time include the complete loss of the injunctive, the subjunctive and the aorist. The commentary part of the Yajurveda belongs to the Samhita Prose period. During this time, the Painted Grey Ware culture was evident.

Brahmana Prose

This period signifies Brahmanas proper of the four Vedas, along with the oldest Upanishads.

Sutra Language

The last division of the Vedic Sanskrit can be traced upto 500 BC. During this time, a major portion of the Srauta Sutras, the Grihya Sutras and some Upanishads were composed.

Epic and Paninian Sanskrit (Post Vedic)

In the post-Vedic Period, the compilation of Mahabharata and Ramayana epics took place. The Classical Sanskrit described by Panini also emerged after the Vedic Age. The Vedanta and the Pali Prakrit dialect of Buddhist scripture belong to this period. During this time, the Northern Black Polished Ware culture started spreading over the northern parts of India.

The end of the Vedic Period Civilization in India was marked by significant changes in the field of linguistics, culture and politics. With the invasion of the Indus valley by Darius I, in the 6th century, outside influences started creeping in.

Early Vedic Period (Rigvedic Period)

The Rigvedic Period represents the time period when the Rig Veda was composed. The Rig Veda comprises of religious hymns, and allusions to various myths and stories. Some of the books even contain elements from the pre-Vedic, common Indo-Iranian society. Some similarities are also found with the Andronovo culture and the Mittanni kingdoms. Thus, it is difficult to define the exact beginning of the Rigvedic period. The prominent features of the Rigvedic period are given below:

Political Organization

The political units during the Rigvedic or the early Vedic period comprised of Grama (village), Vish and Jana. The biggest political unit was that of Jana, after which came Vish and then, Grama. The leader of a Grama was called Gramani, of a Vish was called Vishpati and that of Jana was known as Jyeshta. The rashtra (state) was governed by a Rajan (King) and he was known as Gopa (protector) and Samrat (supreme ruler). The king ruled with the consent and approval of the people. There were four councils, namely Sabha, Samiti, Vidhata and Gana, of which women were allowed to attend only two, Sabha and Vidhata. The duty of the king was to protect the tribe, in which he was assisted by the Purohita (chaplain) and the Senani (army chief).

Society and Economy

Numerous social changes took place during the early Vedic period. The concept of Varna, along with the rules of marriage, was made quite stiff. Social stratification took place, with the Brahmins and the Kshatriyas being considered higher than the Shudras and the Vaisyas. Cows and bulls were accorded religious significance. The importance of agriculture started growing. The families became patriarchal and people began praying for the birth of a son.

Vedic Religious Practices

Rishis, composers of the hymns of the Rig Veda, were considered to be divine. Sacrifices and chanting of verses started gaining significance as the principal mode of worship. The main deities were Indra, Agni (the sacrificial fire), and Soma. People also worshipped Mitra-Varuna, Surya (Sun), Vayu (wind), Usha (dawn), Prithvi (Earth) and Aditi (the mother of gods). Yoga and Vedanta became the basic elements of the religion.

Later Vedic Period

The later Vedic Period commenced with the emergence of agriculture as the principal economic activity. Along with that, a declining trend was experienced as far as the importance of cattle rearing was concerned. Land and its protection started gaining significance and as a result, several large kingdoms arose.

Political Organization

The rise of sixteen Mahajanapadas, along with the increasing powers of the King, comprise of the other characteristics of this period. Rituals like rajasuya, (royal consecration), vajapeya (chariot race) and ashvamedha (horse sacrifice) became widespread. At the same time, the say of the people in the administration diminished.

Society

As far as the society is concerned, the concept of Varna and the rules of marriage became much more rigid than before. The status of the Brahmanas and Kshatriyas increased greatly and social mobility was totally restricted. The proper pronunciation of verses became to be considered as essential for prosperity and success in war. Kshatriyas started amassing wealth and started utilizing the services of the Brahmins. The other castes were slowly degraded. Around 500 BC, the later Vedic Period started giving rise to the period of the Middle kingdoms of India.